Does the Santa Barbara Museum of Art Have a Trademark
IN THE Curt Span of twenty years since its founding, the Santa Barbara Museum of Art has go 1 of the most respected pocket-sized museums in the state. No public funds go into Museum operation; we are entirely dependent upon private donations.
Aside from its remarkable benefactors, the Santa Barbara Museum of Fine art has other factors working in its behalf. Although it is less than two hours by automobile from Los Angeles and two hours by plane from San Francisco, Santa Barbara is basically a self-independent community, and the just major city between the two metropolitan centers. The Museum, therefore, is the chief resource of the visual arts for a large and expanding population. Accordingly, the Museum has felt the responsibleness of developing as a general fine art museum of the highest quotient. It is our aim to cover with our collections and exhibitions the unabridged history of man's creative endeavor. We also accept the obligation of interpreting our collections and exhibitions to visitors through catalogs, guided tours, children's classes and special lectures.
Probably no museum grows evenly, and, in spite of our well-rounded ambitions, the special interests of patrons and directors have resulted in certain strengths and weaknesses in our permanent collection. Of all the museums on the Westward Coast, probably none tin boast better collections of Greek and Roman sculpture and American painting. The classical antiquities came to the Museum as an indefinite loan from Wright Ludington, whose generosity has repeatedly enriched almost every attribute of the Museum's collections. The strong American drove is primarily the gift of Mrs. Sterling Morton, whose married man gave the wing in which it is housed presently earlier his untimely expiry in 1961. Many others accept contributed to the collections, and in that location is now significant material from most historical periods. Nosotros are far from satisfied, however, and nosotros are constantly striving to obtain works of the highest quality from every time and identify. That we are often successful is a tribute to the awareness and enthusiasm of our friends.
Building an exhibitions program in a museum such equally Santa Barbara's is a stimulating job. Just every bit we do not limit our fields of collecting, so we exercise not limit the range of our exhibitions. From one calendar month to the side by side we can skip dorsum and forth through history, showing pre-Columbian art before European chief drawings and a nineteenth century landscapist before an exhibition of the most advanced painting of New York artists. In addition to the large and modest exhibitions which bring to Santa Barbara important works of fine art from past and present, the Museum accepts (and enjoys) the responsibleness of showing the work of contemporary artists, usually from California. A continuing parade of one-man exhibitions by artists of outstanding merit can always be viewed. The need from artists for these one-human shows is so bang-up that only about one out of every x who apply for them can exist accepted.
The choice of exhibitions is based upon quality, significance and feasibility. Within the limitations of our budget, we try to schedule a rich and varied series of about thirty shows annually. In full general, we prefer organizing our own exhibitions to participating in circulating shows because the results fit our own situation more than meaningfully. Occasionally, however, we volition accept one of the many fine exhibitions assembled past other museums or circulating agencies, for information technology would be physically impossible for our modest staff to practise a creditable job with all the shows we schedule.
We do not select exhibitions considering we think that they will be popular. Of form, nosotros are delighted when they are well received by the public, and nosotros volition exploit every appropriate public relations bending to bring people in to come across them, merely we feel that considerations of public appeal should follow and not influence the pick of exhibitions. Otherwise the Museum would exist surrendering its valuable integrity as an educational institution and descending to the level of a second-rate movie house.
With the community supporting its program and philosophy, the Santa Barbara Museum of Art looks forward to the coming years. Physically, the Museum tin can expand in several directions if the ways go available, only the ii wings recently added through the generosity of Mr. and Mrs. Morton have relieved the pressure for more exhibition space for the time beingness. During the next few years nosotros shall concentrate upon enriching and refining the collections with major and small acquisitions of meridian quality, carrying on an ambitious and pregnant exhibition program, and increasing our advice with the public through expanded educational activities. Judging from the sincere interest, the sophistication and the substantial support on the function of Santa Barbarans that I have observed during my first year every bit Director, I can find no reason to predict whatsoever limitations to what tin can be accomplished hither.
—Dr. Thomas Due west. Levitt, Managing director
— Dr. Thomas W. Leavitt
Source: https://www.artforum.com/print/196406/the-santa-barbara-museum-of-art-38623
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